Through three interwoven narrative strands, namely Pontius Pilate’s persecution of the man who would later be known as Jesus Christ, a love story set in Moscow in the 1930s and the Devil’s visit to that city, the novel delivers biting satire and explores weighty themes such as the interplay between good and evil and the importance of spiritual and intellectual freedom. Unlock the more straightforward side of The Master and Margarita with this concise and insightful summary and analysis! This engaging summary presents an analysis of The Master and Margarita by Mikhail Bulgakov, which is widely considered to the author’s masterpiece and one of the finest novels of the 20th century. Manuscripts Don't Burn provides a forceful and compelling insight into the pressures of day-to-day existence for a man fighting persecution in order to make a career as a writer in Stalinist Russia. Her vast collection of Bulgakov's correspondence is unparalleled even in the USSR, and she draws on it judiciously to include letters addressed directly to Stalin, in which Bulgakov's pleads to be allowed to emigrate letters to his sisters and to his brother in Paris whom he did not see for twenty years intimate notes to his second and third wives and letters to and from well-known writers such as Gorky and Zamyatin. J.A.E Curtis combines these diaries with extracts from letters to and from Bulgakov and with her own illuminating commentary to create a lively and highly readable account. In particular, she is the only Westerner to have been granted access to either Bulgakov's or his wife Yelena Sergeyevna's diaries, which record in vivid detail the nightmarish precariousness of life during the Stalinist purges. Curtis has collated the fruits of eleven years of research to produce a fascinating chronicle of Bulgakov's life, using a mass of exciting new material - much of which has never been published before. It has since become a worldwide bestseller. His greatest masterpiece, The Master and Margarita, a novel written in the 1930s in complete secrecy, largely at night, did not appear in print until more than a quarter of a century after his death. In his own lifetime, however, a casualty of Stalinist repression, he was scarcely published at all, and his plays reached the stage only with huge difficulty. The Russian playwright and novelist Mikhail Bulgakov (1891 - 1940) is now widely acknowledged as one of the giants of twentieth-century Soviet literature, ranking with such luminaries as Pasternak and Solzhenitsyn.
Beyond this it illuminates with the cruel light of satire the reality behind the pretentious façade of the Soviet state.” -The Sunday Sun
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Many of these stories and sketches are delicious, even-a miracle!-funny, and full of subtlety and intelligence.” -The New Leader “Hilarious entertainment. by the highly talented translator Mirra Ginsburg. “The stories in this collection tell the reader more about Soviet life than a dozen sociological or political tracts.” -Isaac Bashevis Singer “An altogether admirable collection. Whether the stories and novellas collected here take the form of allegory, fantasy, or science fiction, the results are ingenious, critical, and hilariously timeless. Among the seventeen bold and inventive writers represented here are the brilliant Mikhail Bulgakov, Ilf and Petrov, Mikhail Zoshchenko, Yevgeny Zamyatin, Valentin Katayev, and Yuri Kazakov. “Amusing and excellent,” this famous collection of Soviet satire from 1918 to 1963 devastatingly lampoons the social, economic, and cultural changes wrought by the Russian Revolution (Isaac Bashevis Singer). A classic anthology of wildly inventive and comic tales that brilliantly satirize post-revolutionary Russia.
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